Among those colleagues who reviewed my website before I launched it, one commented that the Rodin statue on the homepage seemed a bit too traditional an image for this progressive company. My instinct told me it was the right image so I kept it.
Then in a book I just finished, a reference to the 19th Century sculptor again made me question the use of photos of Auguste Rodin’s “Thinker” on the site. Michael Cunningham in By Nightfall wrote: “Now Rodin has been and gone and yes, of course, he’s a part of history, but new artists don’t revere him, no one makes a pilgrimage, you learn about him in school, you pass his sculptures on your way to see the Damien Hirst.”
So I’ve now given more thought to whether Rodin is an appropriate muse to have on a website about thought leadership, and I’ve decided it’s definitely staying. Here’s why:
Many of the concepts on this site are traditional, tried-and-true techniques for leadership. But added to those “Rodin” ideas are some trends and contemporary “Damien Hirst” techniques that you can tailor to build your own thought-leadership skills in this modern-day world.
Rodin may now be recognized the pre-eminent French sculptor of his time, but his ideas weren’t always accepted in a world unaccustomed to realism in sculptures. He was a trailblazer, but he had to establish his reputation as a leader in the art world over time. Eventually, however, “society”—including his clients and critics and even his competitors—appreciated his progressive point of view about sculpture.
Are your thought-leadership points of view being appreciated? Are you seen as a trailblazer in your industry? Are you tomorrow’s Auguste Rodin or Damien Hirst? Ask, assess, then act. We’re here to help.
I agree that Rodin’s “Thinker” is a great choice to represent thought leadership but for me, more for the art itself rather than the artist. As Rodin himself said of it, “He is not a dreamer; he is a creator.” I expect millions have been inspired by this compelling visual impression on the power of thought, reflection and mental creativity. Plus, with nearly 2 dozen castings of the sculpture in cities all over the world, he’s definitely thinking globally!